
"Corcovado" (known in English as "Quiet Nights of Quiet Stars") is a bossa nova song written by Antonio Carlos Jobim in 1962. An english lyric was later written by Gene Lees.
The Portuguese title refers to the Corcovado mountain in Rio de Janeiro.
source: http://en.wikipedia.org/wiki/Corcovado_%28song%29
Charlie Lee Byrd (September 16, 1925 – December 2, 1999) was an American guitarist. His earliest and strongest musical influence was Django Reinhardt, the gypsy guitarist. Byrd was best known for his association with Brazilian music, especially bossa nova. In 1962, Byrd collaborated with Stan Getz on the album Jazz Samba, a recording which brought bossa nova into the mainstream of North American music.
Byrd played fingerstyle on a classical guitar.
continued: http://en.wikipedia.org/wiki/Charlie_Byrd
Antônio Carlos Brasileiro de Almeida Jobim (January 25, 1927 – December 8, 1994), also known as Tom Jobim (Portuguese pronunciation: [ˈtõ ʒoˈbĩ]), was a Brazilian songwriter, composer, arranger, singer, and pianist/guitarist. He was a primary force behind the creation of the bossa nova style, and his songs have been performed by many singers and instrumentalists within Brazil and internationally.
Widely known as the composer of "The Girl from Ipanema" (Garota de Ipanema), one of the most recorded songs of all time, Jobim has left a large number of songs that are today included in the standard Jazz and Pop repertoires.
continued: http://en.wikipedia.org/wiki/Antonio_Carlos_Jobim
Samba (Portuguese pronunciation: [ˈsɐ̃bɐ] ( listen)) is a Brazilian dance and musical genre originating in Bahia and with its roots in Brazil (Rio de Janeiro) and Africa via the West African slave trade and African religious traditions. It is recognized around the world as a symbol of Brazil and the Brazilian Carnival. Considered one of the most popular Brazilian cultural expressions, samba has become an icon of Brazilian national identity.[1][2][3] The Bahian Samba de Roda (dance circle), which became a UNESCO Heritage of Humanity in 2005, is the main root of the samba carioca, the samba that is played and danced in Rio de Janeiro.
The modern samba that emerged at the beginning of the 20th century is basically 2/4 tempo varied with the conscious use of chorus sung to the sound of palms and batucada rhythm, adding one or more parts or stanzas of declaratory verses. Traditionally, the samba is played by strings (cavaquinho and various types of guitar) and various percussion instruments such as tamborim. Influenced by American orchestras in vogue since the Second World War and the cultural impact of US music post-war, samba began to use trombones, trumpets, choros, flutes, and clarinets.[citation needed]
In addition to rhythm and bar, samba brings a whole historical culture of food, varied dances (miudinho, coco, samba de roda, and pernada), parties, clothes such as linen shirts, and the NAIF painting of established names such as Nelson Sargento, Guilherme de Brito, and Heitor dos Prazeres. Anonymous community artists, including painters, sculptors, designers, and stylists, make the clothes, costumes, carnival floats, and cars, opening the doors of schools of samba.
http://en.wikipedia.org/wiki/Samba
An awful lot of musical history here. An awful lot of energy & talent goes into the making of this extraordinary piece.
Makes you want to travel to where the people know how to really dance, play, make love joyfully & just live life as it should be lived. I guess I'm thinking of Utopia, Ultima Thule or someplace magical like that.
Certainly no place where any kind of dour hypocritical soul-killing life-snatching puritanism holds sway.
One of the best versions ever. Tasteful and graceful chord changes plus superb melody. Shortly less than a year later Charlie passed away.